Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama only from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar result: it’s a film about sex work that features no intercourse.
Underneath the cultural kitsch of everything — the screaming teenage fans, the “king from the world” egomania, the instantly common language of “I want you to attract me like one of your French girls” — “Titanic” is as personal and cohesive as any film a fraction of its size. That intimacy starts with Cameron’s possess obsession with the Ship of Dreams (which he naturally cast to play itself inside of a movie that ebbs between fiction and reality with the same bittersweet confidence that it flows between past and present), and continues with every facet of a script that revitalizes its basic story of star-crossed lovers into something legendary.
This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who decide to go to one last party now that high school is over. Dever's character has one of many realest young lesbian stories you will see in the movie.
Set in an affluent Black Neighborhood in ’60s-period Louisiana, Kasi Lemmons’ 1997 debut begins with a regal artfulness that builds to an experimental gothic crescendo, even since it reverberates with an almost “Rashomon”-like relationship into the subjectivity of truth.
This stunning musical biopic of music and style icon Elton John is one of our favorites. They Really don't shy away from showing gay sex like many other similar films, along with the songs and performances are all prime notch.
The result is our humble attempt at curating the best of a decade that was bursting with new ideas, fresh Vitality, and also many damn fine films than any prime one hundred list could hope to contain.
During the films of David Fincher, everybody needs a foil. His movies typically boil down towards the elastic push-and-pull between diametrically opposed characters who reveal themselves hard porn through the tension of whatever ties them together.
“Admit it isn’t all cool calculation with you – that you’ve acquired a heart – even if it’s small and feeble and you will’t remember the last time you used it,” Marcia Gay Harden’s femme fatale demands of protagonist Tom Reagan (Gabriel Byrne). And for all its steely violence, this film incorporates a bearfilms bearded bjorn larsson barebacks lee west outdoors heart as well.
“Souls don’t die,” repeats the big title character of this gloriously hand-drawn animated sci-fi tale, as he —not it
(They do, however, steal one of several most famous images ever from one of many greatest horror movies ever inside of a scene involving an axe plus a bathroom door.) And while “The Boy Behind the Door” runs out of steam a little during the third act, it’s mostly a tight, well-paced thriller with wonderful central performances from a couple of young actors with bright futures ahead of desi porn them—once they get out of here, that is.
Gus Van Sant’s gloriously unhappy road movie borrows from the worlds of author John Rechy and even the director’s have “Mala Noche” in sketching the humanity behind trick-turning, closeted street hustlers who share an ineffable spark from the darkness. The film underscored the already evident talents of its two leads, River Phoenix and Keanu Reeves, while also giving us all many a motive to swoon over their indie heartthrob status.
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, future Golden Globe winner Josh O’Connor floored critics with his performance being a young gay sheep farmer in Yorkshire, England, who’s struggling with his sexuality and budding feelings for a new Romanian migrant laborer.